![]() Gear: Canon 7D II camera, Canon 100-400 lens. Once you can surf the waves and take the poundings that come along with it, then you can learn if you have what it takes to swim in the waves with a camera.” My best advice is to become a surfer yourself. “To be in the water, you need to be very fit, and you need to become a strong swimmer. “Once you become comfortable with shooting from land, you might want to invest in a water housing and start your fitness training,” Mitchinson says. Make sure you can handle the waves before heading in yourself. You need a very good tripod, and you should always think of shooting stills as well as video, so a video tripod can double as both.” “I’d suggest having something along the lines of a 24-70mm, a 70-200mm and a 600mm. There are some budget versions like the 150mm-600mm Tamron that has various mounts. “If you have the budget, a 600mm lens is ideal but very costly. “If you are shooting from land, which is usually where you start, you need a proper big lens and a tripod,” Mitchinson advises. You never want to put yourself, or your gear, in danger. Get to understand the waves from the shore before venturing out into the water. To play with angles, I change my position quickly and frequently.” 7. “I usually don’t have much time to think. “I change my vantage point all the time to get the picture I want,” Kamenska continues. With practice, you’ll get more and more.” If you get one great photo out of a hundred, that’s a great result. The only thing I can recommend is to just push the button on your camera again and again. “Photographing waves can be challenging because they come in quick succession,” Kamenska tells us. Settings: Focal length 300.00mm exposure 1/3200 sec f7.1 ISO 320. The surfers are your ‘in’ to wave photography because the most beautiful waves are usually the same ones the best surfers want to surf.” If the photos are good, then they will likely help you by posting them around and sharing them with their sponsors. “I’d suggest giving them photos for free. “Simply by shooting the surfers, you can start building relationships with them,” Mitchinson says. If you’re not one yourself, create connections! Surfers can be your best resources for studying and navigating waves. “Look for waves breaking in abstract and interesting ways.” “Observation would be the biggest tip I could give to budding wave and ocean photographers,” Blacker tells us. Before even lifting your camera, look with your naked eyes. “Keep an eye on your local tide and swell table, and get to know the area where the best breaks are.” “Waves don’t wait for the perfect time of day,” Gwilt explains. Read the articles, and get to know the regions and the best times of year for surfing.” Other good places to start are on websites like magicseaweed and Surfline. ![]() Hawaii, Bali, Australia, Tahiti, South Africa, Spain, Portugal, and Ireland are great locations for finding waves, and all are seasonal. “If you have never done it before, good places to start are in key surfing regions. “My first piece of advice would be to learn where the waves are, first and foremost,” Mitchinson explains. Settings: Focal length 190mm exposure 1/640 sec f8.0 ISO 250. Gear: Nikon D610 camera, Nikon 70-200mm 2.8 lens with an aquatech housing/port setup. Read on to learn their best tips for photographing waves. We asked each of them to share some of their secrets. They all have different approaches and defined, signature styles, but what they share is an enduring connection to the sea. These photographers hail from all over the world, with home bases in Australia, Ireland, Poland, South Africa, and New Zealand. But we found five artists-Charlie Blacker, Ian Mitchinson ( Mariia Kamenska ( Robyn Gwilt ( and Paul Kennedy ( have mastered the unpredictable tides. “It’s only when you freeze these moving, liquid sculptures in a thousandth of a second that you can see all the intricate details and their beauty can be fully appreciated,” he tells us.Īny photographer knows that capturing the majesty of waves is no easy task. He wanted to share what he saw with the world, so he picked up a camera. “And I am always amazed by the way light interacts with water.” After a while, it wasn’t enough for him to simply cherish the experience himself. ![]() “Waves are literally pure pulses of energy moving through the ocean,” he says. Settings: Exposure 1/1600 sec f5.0 ISO 400.Ĭharlie Blacker ( started out as a surfer, enchanted by the shapes colors of the sea. Gear: Canon 6D camera, Canon EF 50mm f1.8 II lens, Aquatech water housing and P65 flat port. Uncover pro tips for shooting incredible images of ocean waves with advice and experience from five seascape photographers. ![]()
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